Victoria Tan

VICTORIA TAN

^{All Selected Works Design Photography (WIP)}

^{Boundless by the time I cried,

I built your walls around me /

White Noise}

^{2021
Boundless by the time I cried,

I built your walls around me #1 & #2
Archival prints, framed

89 x 64cm each

White Noise #1 - #6
Archival prints, framed

68.5 x 48cm each}

^{Part of painted lines, covered plains

Starch

A duo show with Sufian Samsiyar}
^{Images c/o Jonathan Tan and Starch}

^{painted lines, covered plains is a duo show by Sufian Samsiyar and Victoria Tan. Using various vestiges of construction sites, showrooms and locales within Singapore, the works become manifestations of these transitions, temporal ruins and desires. A combination of photographic works and site-specific installation, painted lines, covered plains proposes detached views of the constant impermanent landscape of Singapore.

Moses Tan}

^{Leave me now, return tonight}

^{2019

Screenprint triptych}

^{Part of Bachelorette Machines,

Institute of Contemporary Arts Singapore}

^{In 1913, avant-garde artist Marcel Duchamp made a reference to the
bachelor machine as a jumble of mechanical implements and schematic
diagrams. In the exhibition, the bachelor of this art-historical definition
becomes the ‘bachelorette’, echoing the song written and released by
Björk in 1997.

Inspired by the artistic concept of
the bachelor machine, the exhibition highlights the ideas and physical
labour of these artists’ works.

Caterina Riva}

^{From Emptiness to Everything}

^{2019

Screenprint installation

Dimensions variable}

^{Part of Bachelorette Machines,

Institute of Contemporary Arts Singapore}

^{The Blue Picture}

^{2016

Mixed media installation
Dimensions variable}

^{Part of The Winston Oh Travel Award 2016:

The measure of things}

^{Institute of Contemporary Arts Singapore}

^{The Winston Oh Travel Award is an annual grant that enables selected students from the McNally School of Fine Arts to travel abroad and develop their artistic research and practice. The award supports students in their graduate and postgraduate years of art education by offering them the opportunity to immerse themselves in a different environment and culture.}

^{LASALLE College of The Arts}

^{I Am All the Days that You
Choose to Ignore}

^{2016

Mixed media installation
Dimensions variable}

^{Part of}^{Undescribed #2}^{DECK 2017}

^{Undescribed is an annual platform conceived to present our local emerging voices with the hope of supporting the next generation of image-makers. Undescribed aptly labels the “unknown” stage in the life of these young creators, a period of potential and experimentation.

The selection is made by SP Tan, chairman of DECK advisory board, Robert Zhao Renhui, visual artist, and Gwen Lee, director of DECK.

DECK}

^{Graphic Design}

^{Graphic & layout design for exhibition collaterals including posters and catalogues}

^{Commissioned work}

^{Graphic design & content creation}

^{Freelance projects}